Most of Gregg Araki's films have a particularly great soundtrack and beautiful cinematography (Especially “A bird in a white Blizzard”), but I feel like Mysterious Skin is still his best film to date. I watched Mysterious Skin (2004) today. level 2. This is not a flaw, however - it stresses the impressionable nature of children and couples it with sexual depravity. Started it when I got home that night and finished it in a few hours, and I was so stricken by it that I watched the movie immediately after. Forcing us to look at the abuse through Neil's somewhat rose-tinted lens is part of what makes it such an uncomfortable and disturbing experience. Neil is a depiction of a kind of sexual abuse that doesn't get much attention in movies. It was certainly difficult to watch and made me very uncomfortable but I really enjoyed it. Neil lost any sense of sexual boundaries when the story of what should have been his first fantasy crush turned into something much more real and inappropriate. Or is it just because that's not his MO and he has no need to and doesn't give a shit (this would be supported by him being the rapist)? We all knew where this was going and it laid out all the bits and pieces perfectly and the ending (Post-Rape when JGL meets the other kid for the first time in his mom's house) was shocking, not in it's surprise or graphic visual on-screen gore or even any extremely graphic dialog. Colourful cereal being crushed as a motif, too.). Neil is a depiction of a kind of sexual abuse that doesn't get much attention in movies. I'd put it amongst my favourite films too, but it would take a but to have me watch it again soon - the rape scene was just traumatic. That ending where they go back into that house and Neil explains it all to Brian as he breaks down and neils inner monologue about how nothing would ever be okay is one of the most heartbreaking scenes in any film I've ever seen. I think James Franco throws out some interesting thoughts. Do you think that Neil seeing his mom having sexual encounters with different men affect him in some way? Granted, we see him through the eyes of the children he grooms for sex, and this may warp our perception. (I don't think so but would love it the movie was Fargo Season 2 nuts.). I love the idea that what Steve talks about- lighting, lenses, etc.- can have as much of an effect on how we process sexual content as the performances of the actors, or the intention of the director. The u/Mysterious_Skin_7 community on Reddit. Was that scene just a dream or distorted memory/unreliable narrator? The last scene was just sad. One might be able to guess this, having seen the film. There simply is no other account. I remember apologising to my friends, and then walking back to college in silence. In the film's final moments, as Untitled #3 by Sigur Ros accompanies the closing narration, 'Coach' cannot be seen as blameless in the slightest. Press question mark to learn the rest of the keyboard shortcuts. You're hired.". It puts you through a lot, as it should, given the subject matter. Clark and Araki feel like very similar filmmakers to me, in terms of what they're willing/hungry to confront about human behavior in their art. The other has completely repressed and seemingly forgotten all of it. We see that Neil is seriously traumatized by everything but over time seems to go from being "complicit" (hard to use that word for an abused child) in the abuse to harming others (when he nearly kills the kid with the fireworks and then sexually assaults him in front of Wendi) to eventually at the end seeming to finally recognize that coach didn't love him and he was just a piece of meat to him and that all these things he is doing and has done and the things that happened to him are indeed, NOT OK.
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