There is always a sense of imbalance, of inadequacy in Orsino. She might wear a visible disguise, but she is clearer in conscience and true to her own self than others who wear the mask over their very souls. She woos Olivia for Orsino, not letting her own emotions affect her. Captain And so is now, or was so very late; For but a month ago I went from hence, And then 'twas fresh in murmur,--as, you know, What great ones do the less will prattle of,--That he did seek the love of fair Olivia. Viola, (alias Cesario) too assumes a masculine identity which however, fails to conceal her feminine aspects completely. Please consider making a small donation to help keep this site free. Viola is a lady of Messaline. Twelfth Night Characters & Descriptions . Even in the quickness of mind in which she decides to serve Orsino proves her capability to act strongly, independent of any active male assistance. Viola has a strong sense of duty and loyalty. Viola attaches hope in the good fortune of her own survival and asserts the faith that her brother may not have drowned at all. As she describes to Orsino the ideal of Womanly love through the concocted (made-up) story of a sister, so she holds up before Olivia the ideal of a masculine love by referring to the intensity of her “master’s flame”. In women's waxen hearts to set their forms!". Whether Duke Orsino really deserves such a patient, sincere and truthful partner is a valid question. The dramatic world of Twelfth Night is essentially built up on a constant conflict- between Imagination and reality, disguise and actuality. She doesn’t let her love for Orsino come in between her duties towards him. VIOLA Orsino! Guided by the sentiments of love in the abstract, inspired by a pure sense of beauty, she has her being fostered and developed in an elevated atmosphere of her own. This action, apparently simple, is significant since it shows that Viola is prepared to take up the challenges of the patriarchal society in her own right. Her brother describes her as “A lady… (who) was…of many accounted beautiful… she bore a mind that envy could but call, fair” It is this charm in her that could grab the attention of even Olivia and Malvolio who are too much involved in themselves. A lot of other themes also emerge from her actions. A study of Shakespeare's portrayal of Viola in "Twelfth Night," focusing on the ingenuity, practical wisdom, and exceptional maturity that make her … Viola, in this context, is presented as the fulcrum of action, since it is around her that the plot develops and the drama unfolds. Such a mark of sensibility, with its equal romanticism is the essential ingredient of Viola’s character. All these make Viola, the possible protagonist of this play. Even when Olivia falls in love with her (Cesario), she neither uses the opportunity for her own good nor dos she forgets her duties. At the same time, she herself teaches Orsino as well as Olivia the true lessons of love. Hudson observes, that in her(Viola’s) love, there is none of the skittishness and unrest which mark the Duke’s passion for Olivia…. As for instance, Olivia makes a great show of mourning for her dead brother by “deciding” to turn away from vital human actions whereas Viola reacts in a far more sensible manner under the same (or rather worse) circumstance. She neither tries to woo Olivia by putting forward her Manliness like Malvolio nor does she try to follow the path of an overly-dramatic behavior as a lover like Orsino.
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