Thanks! US label boss Seymour Stein said it was “the ‘Stairway To Heaven’ of the 80s,” but though ‘How Soon Is Now’ was just as expansive and epic a beast as the Led Zeppelin classic, it beat with a far darker heart. [sidebar id=”premium_inline_before_last_p”]. Quite a sweet chorus for a Pixies song, really, but nicely offset by some deranged Black Francis screaming about “GOD is seven!“. Released one month before Ian Curtis’ death, NME‘s original review called the song a “tombstone”. Originally called ‘The Chemist Façade’, Madness’ most ridiculously happy tune was actually about the horror of going to the pharmacy to buy condoms for the first time. Despite the sweet ‘n’ sugary melody and big, glacial chunks of shimmering guitar, there’s a dark underbelly – the disturbing Lolita-like tale of the romantic frisson between a 5-year-old girl and her would-be suitor, who just so happens to be a 50-year-old bloke. The title track from Kate Bush’s comeback album (after only three years away – those were the days) is a hearty rush of passion, a headlong tribute to the unfettered impulses of love, heavy on the drums and swooping on the strings. David Byrne’s genius lyric about melting away in suburbia (and the existential crisis that ensues) was one thing. What next? And that message is “Don’t look back/ You can never look back“. But it was Rakim’s brilliantly humble rap that elevated this track into the realms of the truly legendary. It builds and builds until you can take no more. hide. Be sure to read the rules of this subreddit before posting or commenting. https://www.youtube.com/watch?v=WR8cvRgW3wk. A Number one in 17 countries, Marc Almond and Dave Ball stepped out the British avant-garde synthpop scene to produce something that was a pure pop statement of intent. How many bands could get away with lyrics as daft as “Promise me I’m safe as houses/ As long as I remember who’s wearing the trousers”? Please contact the moderators of this subreddit if you have any questions or concerns. The purists may grumble it lacks the blackened romanticism of The Cure at their most cutting edge, but it’s nice to hear old Bob sounding so utterly besotted – even if his paramour does, admittedly, go AWOL by the time he’s done. Creepy, but bloody brilliant all the same. This brilliant, stately number was written by Elvis Costello as a much needed protest track against the Falklands war. Fullscreen. ‘It’s A Sin’ is a riot of thunderclaps, chanting monks and villainous synth riffs from Chris Lowe, but that’s only half the story. Lindsey Buckingham’s typically progressive production covered the song in a glossy 80s sheen, and would lead to another massive hit for the band from their monolithic ‘Tango In The Night’ album. 147. And until Cher came along with ‘Believe’, it made co-vocalist Grace Slick the oldest female singer to ever have a Number One hit. ‘Love Action’ boasts at least three warring synth riffs – from Ian Burden, Philip Adrian Wright and Jo Callis feeding his guitar through a Roland 700 – each of which could fuel a Top 3 hit by itself. My dude, this absolutely slaps. ‘Two Tribes’ was the follow-up to the censor-baiting ‘Relax’, but it was a monster hit in its own right – even though it didn’t induce the same foaming-mouth fury as its predecessor, it still topped the UK charts for nine weeks.
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